













this belt is so good for kara, i bet she will quikly be pleased inside herAbductorenmadrid wrote: ↑5 months ago
"If you were wondering if we can ... penetrate...those tight, intimate defences of yours, wonder, no longer! My ideas... Lillian's tech... and your forced orgasms! Delicious!" - Roulette
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to answer to all of your question, i find this new art really interesting, like it's allow us to see kara in a lot of various situation with still this dimension of peril. Your art keeps the same quality at what you can do usually so this doesn't shock me at all ^^ Just a little suggestion, maybe put kara in some bondage situations with some restraints like straitjackets, rope bondage, tape bondage, maybe mummification too ^^Abductorenmadrid wrote: ↑5 months agoJust as a PS ... I'd be interested in feedback for this sort of work. Is it "interestingly different" ... or are there others doing the same thing? Is the workmanship enough or does it have faults that you don't like? Am I lagging behind AI, or am I keeping up? I'd like to think that my scene compositioning is ok but, are there any changes people would like to see? Is this even the right peril for you?

OK thanks for this, I've been gasping for feedback-oxygen for a while. For clarity, I've done things like stories, where continuity from frame to frame is very important to me. However, it can also can be very tough to maintain. I've done "one off's" too, which has been a way for me to put out content, but not rewarding for me as a story teller. This set maintains the scene within Kara's apartment, and has this sense that she's been unmasked as Kara Danvers and Supergirl. However, I've not tethered myself to an order of events, nor a strict set of continuity.Starball wrote: ↑5 months agoto answer to all of your question, i find this new art really interesting, like it's allow us to see kara in a lot of various situation with still this dimension of peril. Your art keeps the same quality at what you can do usually so this doesn't shock me at all ^^ Just a little suggestion, maybe put kara in some bondage situations with some restraints like straitjackets, rope bondage, tape bondage, maybe mummification too ^^


you're welcome, since i know you from the start (well maybe not since the first pic you ever made but you understand haha), i would say that you always surprise me with what you're able to do with these pics.Abductorenmadrid wrote: ↑5 months agoOK thanks for this, I've been gasping for feedback-oxygen for a while. For clarity, I've done things like stories, where continuity from frame to frame is very important to me. However, it can also can be very tough to maintain. I've done "one off's" too, which has been a way for me to put out content, but not rewarding for me as a story teller. This set maintains the scene within Kara's apartment, and has this sense that she's been unmasked as Kara Danvers and Supergirl. However, I've not tethered myself to an order of events, nor a strict set of continuity.Starball wrote: ↑5 months agoto answer to all of your question, i find this new art really interesting, like it's allow us to see kara in a lot of various situation with still this dimension of peril. Your art keeps the same quality at what you can do usually so this doesn't shock me at all ^^ Just a little suggestion, maybe put kara in some bondage situations with some restraints like straitjackets, rope bondage, tape bondage, maybe mummification too ^^
Some of the frames are quite close up on Kara (some not put up yet). This is new for me as I've not been confident enough to add much headgear before and especially not this close to the subject. I think this time I've got some images that work, and was particularly happy with the inflatable gag and the ring gag images. To be honest, I think the previous image (with Kara by the TV) is probably among my best complex compositions I've done that features headgear. It combines many sources of images and looks pretty coherent to me but after you've been looking at the various pieces for so long you start to lose the capacity to see if it "looks real?" or not, hence my doubts.
I tend to find the psychology of the interaction between Kara and Lillian more important than there being bondage but I do love bondage and BDSM and have done bondage manipulations before - but there will no doubt be chances to work in the things you mentioned in this emerging set. I've just been working on a sub-set of images (It's like a mini sub-series with 2-3 images in each one, set in the apartment) which have bondage in it.



